Posted in Architecture, architecture, art,poetry,writing, Artuesdays, Book Reviews, Books, Collage, Cures for the Nothing, Digital Collage, digital collage, photography, writing, architecture, Digital Manipulation, Featured Artists, Photography, photography, Writing, tagged Arab cities, Cities of Salt, City of Salt, Digital Collage, escapism, fable, fantasy, favorite books, fiction, Invisible cities, Italo Calvino, Miniature cities, nicholas kahn, orientalism, Photography, photography spread, prose, reverie, richard selesnick, tales on May 24, 2011 |
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City of Salt by Nicholas Kahn and Richard Selesnick. Image via amazon.
“Here is a splendid volume from the Terry Gillam school of fictional photography… The book comes in a sturdy slipcase and features complex landscapes, painstakingly created, and digitally peopled by actors playing out scenes which conjure up a mystical Middle Eastern civilisation. Enigmatic, but beautiful.”
“This is a beautifully structured text with an imaginative use of words and photography. This wondrous book of tales is a complex work of art that will be read throughout our generation.”
Focus: Fine Art Photography Magazine
“City of Salt… creates and documents alternate realities in miniature, accompanied by narratives inspired by Sufi tales, Italo Calvino and more.”
Michelle Wildgen –Publishers Weekly
The City. Image via kahnselesnick.com. Click to enlarge.
Suspended! Image via kahnselesnick.com. Click to enlarge.
Two Streets. Image via kahnselesnick.com. Click to enlarge.
The Flyer. Image via kahnselesnick.com. Click to enlarge.
Panoramic photographs of fantastical landscapes make a bizarre Baedeker to alternative realities in City of Salt, by Nicholas Kahn and Richard Selesnick. The second volume, after Scotlandfuturebog, in an intended trilogy of such otherworldly guides juxtaposes those scenes with similarly inspired texts: Sufi tales, the writings of fabulist Italo Calvino, and parables by the artists themselves. The strange deserts, marshes, sandy shores, villages, and fields are often traversed by wandering figures, frequently in peril or precariously alone. Kahn and Selesnick’s process combines sculptural and photographic media. The artists first construct the intricately detailed worlds in three-dimensional miniatures and dioramas, then digitally photograph the scene and populate it with characters in allegorical, though intriguingly puzzling, tableaux.
I ran into this gorgeous, oversized, substantial book few years ago while visiting UCSD’s excellent Architecture library. Words and images weave imaginary tales and create an escapist landscape. May days verge on the surreal, time is suspended, perhaps in a cruel, paradoxical loop. To travel through time, for once forward instead of backwards…to harness the days as though wild horses, bridle their energy. May seems to slip through my fingers, each time. I am lulled by the calm (before the storm? No, before more tense calm.)
Dreams and collages await. I find the only cure for restlessness is mindful awareness, in brilliant execution of each undertaking- as small as it is, as humble as it is. Ambition can paralyze you in May, when mid-year approaches and mental harvests take place. Each day we need to reconcile heaven and hell within us. Refusing to attemp the feat, or lack of acceptance of our opposite instincts, is the only way the battle is lost. In numbness lies defeat.
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