” In recent years , the modern understanding of social responsibility as functional program has been superseded by a concern for context. But contextualism has been used as an excuse for mediocrity, for a dumb servility within the familiar. Since deconstructivist architecture seeks the unfamiliar within the familiar, it displaces the context rather than acquiesce [...]
Archive for the ‘Theory and Criticism’ Category
Thinking Deconstructivism in a Canyon
Posted in Architecture, architecture, Articles & Essays, Collage, Cures for the Nothing, Design, Digital Collage, digital collage, photography, writing, architecture, Experiments, F R A G M E N T S, History of Architecture, Lectures, Photography, photography, Quotes, Reading, Research, San Diego, Spontaneous Constructs, Theory and Criticism, Writing, writing, tagged bridges, collage, context, deconstructivist approach, Deconstructivist architecture, defamiliarization., familiar, mark wigley, photomontage, reading on a bridge on November 26, 2011 | Leave a Comment »
Finished project and the [abstract] underside of things.
Posted in Architecture, art, art,poetry,writing, Collage, Design, Experiments, Spontaneous Constructs, Theory and Criticism, tagged 3d fabric paint, Abstract, backpacks, collage, fabric city, fabric collage, psychogeographic map of paris, situationsits, the city, thread paintings on June 25, 2011 | Leave a Comment »
The reverse side of “The City” reminds me of a Situationist psychogeographic map. I toyed with the idea of letting go of all the work on the map and apply this abstract work on the backback. This would have been the gutsy thing to do but, in the end , i couldn’t let go of [...]
Drawn Resolutions (and calling for mandatory poetry)
Posted in Architecture, art, Artuesdays, Books, Cures for the Nothing, Digital Collage, Drawing, Essay, History of Architecture, Ink, Photography, Poetry, Quotes, Research, school, School Work, sketching, Theory and Criticism, Writing, tagged 'spiro kostof, ability to visualize, architect: chapters in the history of the profession, architects, architecture academia, architecture curriculum, artist, balboa park san diego, communication for architects, criticism, curricula, designers, downcast eyes: the denigration of vision in twentieth-century french thought, draw it, Drawing, drawn, essay, eth switzerland, importance of literature, inchoate, ink, intellectual dialogue, literature, mandatory poetry, marc angelil, meditating, pen, Poetry, poetry humanities in architecture curriculum, powerpoint, read in the park, read outdoors, resolutions 2011, sketching, the picture is worth a thousands words syndrome, tyranny of the visual, visual people, visualization techniques, war, writing, writing for architects on March 9, 2011 | Leave a Comment »
As designers, architects, artists, we use the ability to first visualize then communicate a desired outcome. Implementation means having the courage, discipline and perseverance to bring that vision into the physical realm. I love to write, and to write lists, but this year I am doing something different with my 2011 resolutions. I am drawing them. It [...]
Hybrid Notes : Bjarke Ingels. San Diego. 02.25.2011
Posted in Architecture, art, Books, Cures for the Nothing, Design, Digital Collage, Digital Manipulation, Drawing, Featured Architects, Lectures, Museum WOWs, Photography, Poetry, Quotes, San Diego, school, School Work, sketchbook, sketching, Theory and Criticism, Writing, tagged 2011, AIAS NSAD, Allen Ghaida, Autograph, BIG, bjarke ingels, california, danish architect, Drawing, february "%, Hybrid notes, lecture notes, museum of natural history, newschool, NewSchool Arts Foundation, newschool of architecture and design, notes from the lecture, NSAD, NSAF, Review, san diego, sketches, visual notes, yes is more on February 28, 2011 | 2 Comments »
Bjarke Ingels came to speak to our school Friday night. The venue was the Museum of Natural History in scenic Balboa Park. I am still blown away by the lecture and, more importantly, the message. It was truly (r)evolutionary. The fact that BIG’s insanely brilliant concepts not only get built but a) give back to [...]
Dispatches from Vladivostok: Architecture, Poetry, the Oneiric, the Grotesque
Posted in Architecture, architecture, art, art,poetry,writing, Books, Featured Artists, Lectures, NaBloPoMo, Poetry, Quotes, school, School Work, Theory and Criticism, Writing, writing, tagged and the Wilderness Urbanism of John Hejduk, architects as artists, Architecture, architecture of a city, art, Baikal, critical thought, criticism, Detour, Errand, essays on architecture, Exquisite Corpse, Invisible cities, Italo Calvino, John Hejduk, Lake Baikal, Marco Polo, Mask of Medusa, Michael Sorkin, paroles d'architects, Riga, sketches, the ethics of aesthetics, the informer, the minister of culture, theory, venice, Vladivostok on November 3, 2010 | 1 Comment »
John Hejduk has been called one of the most influential architects and educators of our time.. He was also a poet, an artist and the Dean of the Irwin S. Chanin School of Architecture of the uber-prestigious Cooper Union in New York. I am reviewing couple of his books, Vladivostok and The Mask of [...]
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