Feeds:
Posts
Comments

Archive for the ‘art,poetry,writing’ Category

image

image


Soneto XVII

No te amo como si fueras rosa de sal, topacio
o flecha de claveles que propagan eñ fuego:
te amo como se aman ciertas cosas oscuras,
secretamente, entre la sombra y el alma.

Te amo como la planta que no florece y lleva
dentro de sí, escondida, la luz de aquellas flores,
y gracias a tu amor vive oscuro en mi cuerpo
el apretado aroma que ascendió de la tierra.

Te amo sin saber cómo, ni cuándo, ni de dónde,
te amo directamente sin problemas ni orgullo:
así te amo porque no sé amar de otra manera,

Sino así de este modo en que no soy ni eres,
tan cerca que tu mano sobre mi pecho es mía,
tan cerca que se cierran tus ojos con mi sueño.


Pablo Neruda


I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
I love you so because I know no other way

than this: where I do not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep
.

Read Full Post »

Pa’delante!

image

Read Full Post »

image

Read Full Post »

image

The landscape is already disappearing

Into a rainy day.

Read Full Post »

image

Read Full Post »

image

Graham Downes, my larger-than-life friend, architect and urban designer extraordinaire, rugby champion, pilot, lover of life, beauty, and friendship, was taken suddenly from us 12 days ago.
San Diego is still reeling.

This is a sketch work of art he made for me last summer, when I ran into him at Bassam Cafe’. Graham saw me painting and I invited him to try out my new watercolor pen and other tools. Less than five seconds, and I witnessed a building parti take form. What a treat to see genius at work. He immediately declared he wanted us to plan Sunday sketch dates (and later informed me that, following our chance encounter, he visited the art store and went a little crazy there).

That was my friend G, enthusiastic, full of life and passion and always wanting to do everything, his schedule and reality notwithstanding.

Here is a beautiful piece of writing he sent me. I love it because it shows a contemplative side that not a lot of people got to see, and yet was always there behind the infectious energy, the million-watt smile, the glint in those blue, blue eyes.

‘… Just flew back from Bako a couple of hours ago – so meditative and surreal cruising over LA at 9k feet – pitch-black sky and all those lights representing so much life and goings-on below…puts everything in perspective every time – and i do that trip every week- mostly not at night.

Tonight we had 14 ghost-busters come over to the hotel with all their fancy machines to record/bust the reported ghosts there! Weird.

From years of studying the physical structure of things, the built environment, I am now also preoccupied by behavior of people, their aspirations, real intent, how they think, etc. This is an excellent avenue to initiate a better approach to design of structures and spaces as a leap back into new projects…especially commercially-driven ones.

Have a great time in my very fave city!
Ciao,
GD ‘

But… I would be remiss if I didn’t also share a more typical Graham message:

’10 IS A PERFECT TIME TO START A DANCE PARTY :) !’

Ciao G.!!!!

Read Full Post »

image

image

image

image

image

image

image

image

image

image

Read Full Post »

003medl

Collage, Buffalo, NY. April 2013.

004md

Collage, Buffalo, NY. April 2013.

Read Full Post »

image

Read Full Post »

sanfrancisco_vignette_wb

Read Full Post »

image

image

San Diego – Horton Plaza.
{everything passes}

Read Full Post »

P1090079

Read Full Post »

See(k) Love

image

…in every street corner.

Read Full Post »

Living Poetry

image


Let yourself become
living poetry.

Rumi

Read Full Post »

Rain

image

Read Full Post »

Jason De Caires Taylor. Underwater sculpture.
Reblogged from Cosmic Machine. Click to view more.


Staccato II

 

‘We should be so anchored in that stillness of the ocean,

so much so that waves do not bother us.’

 

‘Avoid the bridge, he says.

We need all the poets.’

One last brilliant morning, and watch,

I become seagull.

 

Has poetry ever brought back a lover

except in dreams

Has it ever changed one heart

Have words ever mended

That is a job for Time.

 

My poems are songs for no-one, you see.

I sing them on a street corner

For the wind, for the rare passerby

There is no hat on the pavement,

You can keep your change.

 

Respectability will not keep you warm at night.

All these books, my house is made of them,

their wondrous stories

they are but paper and weight in the dark.

 

The sun kisses me and I fall asleep

in a room bathed in golden light

the sunsets are getting longer these days

- look at this cloudless sky, the heat of summer in January,

how can one not be happy?

That is not what I came for.

 

There are constellations on my skin

You will never see

Here is Ursa Major,

Orion’s belt.

 

Yours was the final, absolute silence

Of deep space -

I was tethered

 

Night stars are beautiful to look at

But, oh, they cannot warm you

Diamonds are heartless

and perfect.

 

In the dark,

He speaks  a tongue I do not understand.

During the day he absolves me.

He says

When Life gives, take.

She is a miserly landlady, sometimes

And this is not a kind Winter.

 

When the thick walls of the city are besieged,

they absorb the injury of cannons,

fiery arrows, climbing soldiers.

To a point.

A fortress, like a ship, like a dam,

is still made by human hands.

Lo, the smallest breach and the tiniest rivulet

Bring down civilizations.

 

 

San Diego, January 2013

 

 

Read Full Post »

The Hummingbird

image



since feeling is first
by e.e. cummings

since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;

wholly to be a fool
while Spring is in the world

my blood approves,
and kisses are a better fate
than wisdom
lady i swear by all flowers.  Don’t cry
—the best gesture of my brain is less than
your eyelids’ flutter which says

we are for each other: then
laugh, leaning back in my arms
for life’s not a paragraph

And death i think is no parenthesis


Read Full Post »



Calm, Like a Sunday Evening

Sweet, quiet night
of canyons and faraway lights,
of car wakes-
the coldness of stars
(clarity and cruelty sound the same)
- their radio frequencies.

It is a night for waiting.
Dilated hours: what use is there for a will or resistance?
Float, there’s no rudder.

We do not have love,
or lips on our lips
the tension of
muscles and will..
the tenderness of skin

We sleep in lonely beds.

But, O, we have poetry
and waterlogged pages,
we dance on the tip
of fountain pens.
We skate on paired ink.

San Diego, January 2013

Read Full Post »

Architectural Gestures

image

‘Spend time sketching everyday. The outcome is not important. The time you spend sketching is time you spend solving yourself.’

Read Full Post »

image

‘You can never really tell what’s good until later anyway, until you look back and think about things and they have time to grow in your mind. But sometimes you make a choice, and in that moment you know in your heart it’s going to change everything.

People will tell you nothing matters, the whole world will end soon anyway, but those people look at life in the wrong way.
I mean, things don’t need to last forever to be perfect.’

 

          (The Magic of Belle Isle)

Read Full Post »

 

Narciso, parole di burro
Si sciolgono sotto l’alito della passione
Narciso trasparenza e mistero
Cospargimi di olio alle mandorle e vanità
Modellami…
Raccontami le storie che ami inventare
Spaventami
Raccontami le nuove esaltanti vittorie
Conquistami,inventami, dammi un’altra identità
Stordiscimi,disarmami e infine colpisci
Abbracciami ed ubriacami di ironia e sensualità
Narciso, parole di burro
Nascondono proverbiale egoismo nelle intenzioni
Narciso, sublime apparenza
Ricoprimi di eleganti premure e sontuosità
Ispirami
Raccontami le storie che ami inventare
Spaventami
Raccontami le nuove esaltanti vittorie
Conquistami inventami, dammi un’altra identità
Stordiscimi, disarmami e infine colpisci
Abbracciami ed ubriacami di ironia e sensualità
Abbracciami ed ubriacami di ironia e sensualità
Conquistami
Conquistami
Conquistami


Narcissus, buttered words
Melt under the breath of passion
Narcissus, transparency and mystery
Cover me with almond oil and vanity
Mold me
Tell me the stories you love to make up
Scare me
Tell me about your new exciting victories
Conquer me, invent me, give me another identity
Numb me, disarm me, and finally hit
Embrace me and intoxicate me with irony and sensuality

Narcissus, buttered words
Hide the proverbial egoism in your intentions
Narcissus, sublime pretense
Cover me with elegant cares and sumptuousness
Inspire me
Tell me the stories you love to make up
Scare me
Tell me about your new exciting victories
Conquer me, invent me, give me another identity
Numb me, disarm me, and finally, hit
Embrace me and intoxicate me with irony and sensuality
Conquer me
Conquer me
Conquer me



Read Full Post »

Splendid Solstice

image

Islamic Muqarna.



I commit to share words and actions of Love on December 20, 21 and 22 .

Check out the 3 Days of Love Pledge:
threedaysoflove.com

And here is a meditation for the heart for the next two days <3

Read Full Post »

How to pin a heart to a sleeve. Ink on Paper. 2002

How to pin a heart to a sleeve. Ink on Paper. 2002

Reblogged from : The Subject Tonight is Love.

image

Sketch for armband tattoo. December 2012.

tattooweb

Pattern for armband tattoo. December 2012

Read Full Post »

image

image

image

Read Full Post »

Anywhere

Read Full Post »

image

Experiments with digital India ink/ Constellations. November 2012



Songs of Redemption


“I don’t want forever. I want now, now and now.”
From ‘Aimee and Jaguar’


Father forgive me
for I have
sinned.

He sang to me
- the thought of him,
chorus to my days
as a coffee shop poet.

How much water can a hand hold?
Words fill my eyes,
yet do not find him.

My eyes look for his eyes.

I write his name on disparate surfaces.

The prelude of a shadow across my frosted window…
these are my ravings.

The india ink valleys of his shoulders,
the untenable rolling hills of his back -
the ache of swimming in that night sea.

Dream,  where do you come from?
Youth,  mortal god of Beauty,
we are snatching strands of happiness
we are grasping at icicles.

In a parallel universe
we are together
-craft parallel poems to impossible loves-
In a next life,
perhaps,
he says.

Take it lightly, he says
‘Take it in.’ when he holds me,
expanded heart,
but my shoulders have carried
the weight of the world.

We are separated by a layer of ice,
it melts when you look at me.

Dark, glacial waters lurk underneath
where your arms couldn’t keep me warm,
or reach me,
a shipwreck on the Artic.

That night I dreamt of kind, dirty angels
of kissing you, and I just kissed you.

It is bitter poison
to separate
Soul
from
Soul.

You told me about moon and tides,
our gravitational pull.
I cannot escape the moon or the sea:
they find each other.

Water bearer, I dip my toe in the warm water.
Engage or not engage,
it all plays out with the inevitability
of a slow-motion accident.

Lightbearer, I take this December Sun
as I take you in.

Summer will come,
the contingency of
your scent of roasted coffee beans
- you taste like clouds.

I am not sleeping tonight-
Honey, I slept for five years-
there are verses on this bedroom walls I must write down,
your forbidden cities


These are no walls, baby,
But canvases
.

The job of bomb defusers
Is not an easy one.
I am a terrible accountant-
All I want is your eyes.

When the inner house is in order
There is nothing that can’t be accomplished.
Yet I am empty as the house is
after the guests have left:
this, you must know, is the condition of woman.

You said all that I dreamed of
will happen,
the beauty of rugged, imperfect things
the definition of uncertainty.
We are exercises in waiting

Meanwhile, I open doors I can neither enter
nor close.

Stalemate:
If we are
why do I not see you,
will the forgetting fog
swallow you too?

Dance inside of me-
If words are all we have
let us use them.



San Diego, December 2012





Read Full Post »

image


The Bird

By Al-Nashashibi



I have a house,  I have a tree where a bird every
morning comes to say hello.

Every morning I enjoy his singing and I think…
is it by accident that this bird pays me a visit everyday?

One morning behold
the bird landed on the tree, looked into my eyes
and talked.

“There are no accidents; there is a reason for everything
that happens… I came to enrich your life threefold. “

“Who sent you?” I asked.

“Your needs,” he replied.




Read Full Post »

There is a Room

image

Photo from lifeinitaly.com -
The Lovely Italian Doors and their Designs

 





There Is a Room in My Heart
{or  Housecleaning}


Hubris:

I am not
like other girls
walking in malls
wearing mirrors out ,
newscaster hair
brought to you by the color pink.

I am comfortable in grayscale layers,
scarlet inside.
My mind is an unfinished cathedral
made of wire
difficult to climb and tame,
crystal heart
vast, fragile and peopled.

There is a room in it
with your name.
There is a door.
There are no jails
made for our guilty eyes.
The Bull is the Goddess’ constant companion.
There is no airtight chamber
for feelings.

In our time
Planes crossed the skies
white threads crocheting
our narrative,  thin like icy air.

Woven strands of vapor and steam
our strength
blown, blown by northern winds.

Namaste,
All that is best and highest in me greets and salutes all that is best and highest in you.

I remain, ever, your trusted friend.

Forgive these broken letters.
Time is the measure of poetry.
I can only speak to you in allegories
for my mouth and hands
are bound.
This is my answer.
Shoot the artists and poets
for they play with fire.
Hide their dangerous words.

I am imperfect
I still leave
lipstick stains on pillowcases
-the eyes of a fawn in the forest-
I set my house in order
as one reorganizes
thoughts and feelings,
heart and mind.

Patience.
The fields need to be readied
before the seeds can be sown.

The names of the rooms are continuously changing,
the landscape threatening to
shatter into a million tiny pieces.
A myriad teacandles on the Ganges at Diwali-
Walls dissolving into pearls
falling in unison.

Our house was built on quicksand
thick with secrets.
I clean the city
off the window blinds.



San Diego, November 2012

Read Full Post »

Gratitude

image

image

image




Today i am thankful for hands.
All photos by Ray Massey

Read Full Post »

image

The composition was irresistible.
I had to steal a photo…it was not easy.
The two twins, one seated, one perched on the armchair, reminded me of prettygreenbullet’s girls. It is her sense of aloof aesthetics that I recognized.

Read Full Post »

im7age

image

image

New drawings and experiments on a November night.

I received my green card today : on it my likeness and the words ‘permanent resident’..still it does not seem real.
A small piece of plastic that changes my life forever.
The price: a human heart.

Quiet celebrations (for now), a new muse, and new ways to do art, to keep showing up to the work, the words…to do it all or just one layer…but to keep trying again tomorrow.

Recommended reading:

Downcast Eyes: The Denigration of Vision in Twentieth Century French Thought by Martin Jay

The Eyes of the Skin: Architecture and the Senses by Juhani Pallasmaa

Read Full Post »

image

image

Diwali, Divali, Dewali, Deepavali (Buddhism, Hindu, India)

Diwali is a five day Hindu festival which occurs on the fifteenth day of Kartika. Diwali means “rows of lighted lamps” and the celebration is often referred to as the Festival of Lights. During this time, homes are thoroughly cleaned and windows are opened to welcome Laksmi, goddess of wealth. Candles and lamps are lit as a greeting to Laksmi. Gifts are exchanged and festive meals are prepared during Diwali. The celebration means as much to Hindus as Christmas does to Christians.

Because there are many regions in India, there are many manifestations of the Diwali festival. In at least one area, the festival begins with Dhanteras, a day set aside to worship Laksmi. In the Indian culture, wealth is not viewed as a corruptive power. Instead, a wealthy person is considered to have been rewarded for good deeds of a past life.

On the second day Kali, the goddess of Strength, is worshipped. This day also focuses on abolishing laziness and evil.

On the third day (the last day of the year in the lunar calendar), lamps are lighted and shine brightly in every home. The lamp symbolizes knowledge and encourages reflection upon the purpose of each day in the festival. The goal is to remember the purpose throughout the year.

The fourth day of Diwali falls on the first day of the lunar New Year. At this time, old business accounts are settled and new books are opened. The books are worshipped in a special ceremony and participants are encouraged to remove anger, hate, and jealousy from their lives.

On the final day (Balipratipada) of the festival, Bali, an ancient Indian king, is recalled. Bali destroyed the centuries old philosophies of the society. However, in addition to this, he is remembered for being a generous person. Thus, the focus of this day is to see the good in others, including enemies.

From the University of Kansas Medical Center


Diwali this year starts on November 13. Blessings and light to those near and far.

You can go into a pitch black room full of
evil, full of darkness, and light the smallest candle : instantly that darkness flees.
But you can’t do the opposite.
You can’t go into a room full of light, truth, wisdom, joy, health and harmony with the universal power, with amount of darkness, and have any effect whatsoever.

Paraphrased from a Len Horowitz quote.


A candle loses nothing of its light by lighting another candle.

James Keller


Read Full Post »

image

Sleeping under the American Flag. San Diego, November 2012.


1. There are an estimated 10.000 homeless people in San Diego county.

2. This estimate does not comprise of people sleeping and living in their car.

3. The winter shelter that is about to open after much waiting has 400 beds.

4. There has been a 20% increase in homelessness in the past two years, and many are homeless as a result of continued recession, job loss and home repossession by banks.

5. 32% of the homeless in San Diego have a four-year college degree.

6. There are approximately 30,000 vacant houses, condos and apartments in San Diego County. See below for more info.



In North San Diego County alone, as of August 2011, there were 15,168 vacant homes (3.5% vacancy ). In Southwest San Diego County (Metro) houses, condos and apartments went from 88,090 to 191,513 due to the early 2000′s building frenzy. By 2010 Southwest County had 7.9 % (vacancy).
This means that in the metro area, where most homeless people are found, there are 15,129 vacant houses, condo and apartments. Data is extrapolated from info found here.

Read Full Post »

image

San Diego. November 2012.

image


The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.

From the novel ‘The Night Circus’

Read Full Post »

image

Read Full Post »

Drawing by Jackie McDowell.

I am posting the first of a series of samples of student work from the exhibit  History of Architecture: Analysis and Synthesis Through Visual Notes. Moving chronologically, today we start with the Beginnings of Architecture.  This body work was completed for the Graduate History of Architecture sequence, comprising of three courses, which i taught during the 2011-2012 school year.

I will also post some photos from the Exhibit.

These visual notes are by Jackie McDowell.

Drawing by Jackie McDowell.

Drawing by Jackie McDowell.

And here is the  paper abstract summarizing the project objectives and research purpose.  The full paper will be presented and published next Spring. 

History of Architecture: Analysis and Synthesis Through Visual Notes

Miti Aiello, Full-Time Faculty

NewSchool of Architecture and Design, San Diego, California

The need to update and make relevant the study of History of Architecture in an evolving profession and academic environment has never been more urgent: our discipline demands not only an expanded scope (mandatory inclusion of global or ‘non-western’ traditions and architecture of the vernacular), but new methods of delivery and course projects that are interdisciplinary, that bridge the divide between studio courses and history and that educate the young practitioner in reading history utilizing the same
methods learned in design practice.

Spiro Kostof, the legendary UC Berkeley architectural historian, advocated giving students “something tangible to carry away to the drafting table”.

It is possible to adopt an educational methodology that questions monumental architecture of the past and the traditional, vernacular “architecture without architects” in the same way as students approach a design problem in studio. Hans Morgenthaler’s “Chronology versus System: Unleashing the Creative Potential of Architectural History” – which served as this paper’s catalyst- denounced the inadequacy of relying on the chronological organization of history and suggested designing the History course as a series of design problems or buildings/events, illustrated through architectural drawings (the language of our profession) and not photos. History of Architecture instructors are encouraged to “occupy themselves simultaneously with the study of the past, with critique, and with invention”.

The argument for learning history through drawing, in this case in the form of student-generated visual notes based on textbook reading is related to the ‘invention’ mentioned above and supported by Morgenthaler: “This approach derives from the understanding that a drawing is capable of communicating information about buildings impossible through other means. In addition, as a subjective record, drawings could become part of the history of ideas, as opposed to photographs, which are only evidence. Moreover, drawings express the “belief in architectural precedent and typology which gave relevance to history.” Rachael McCann in her “Exploding the History Survey” also introduced ‘graphic summary pages’ as active inquiry in her course at Mississippi State University, breaking down her large lecture course in smaller sections which would investigate a question brought forth by a particular building, through visual analysis. It is clear that History of Architecture lecturers are seeking novel, more critical models to articulate the course, and better narrate “a story of architecture”.

Read Full Post »

image

It is that time again. November First-ish, and like every November I will try to join the marathon of Nablopomo, and maybe even Nanowrimo. I have failed so far in my previous attempts to post everyday, and while i know that the definition of madness is doing the same thing expecting different results, every November finds me with renewed hope. I have good news today. Do you remember the post on the Flaneur? My drawing of our stroller and wanderer with turtle has caught the eye of a small, independent art press and will be used as a logo for a series of walks that will be published in pamphlet form .. ‘Basically, these are poetic/conceptual walks written by writers in different cities. Readers can buy the walks/pamphlets and take them as the writer instructs’. The project just started but please take a peek.

Read Full Post »

image

One of my most cherished books.

image

Lord Byron’s handwriting.



Stanzas Written On the Road Between Florence and Pisa



Oh, talk not to me of a name great in story;

The days of our youth are the days of our glory;

And the myrtle and ivy of sweet two-and-twenty

Are worth all your laurels, though ever so plenty.

What are garlands and crowns to the brow that is wrinkled?

‘Tis but as a dead flower with May-dew besprinkled.

Then away with all such from the head that is hoary!

What care I for the wreaths that can only give glory?

O Fame!—if I e’er took delight in thy praises,

‘Twas less for the sake of thy high-sounding phrases,

Than to see the bright eyes of the dear one discover,

She thought that I was not unworthy to love her.

There chiefly I sought thee, there only I found thee;

Her glance was the best of the rays that surround thee;

When it sparkled o’er aught that was bright in my story,

I knew it was love, and I felt it was glory.


George Gordon, Lord Byron

November, 1821




Romantics, for more on the lives of the Poets, you might hide here for a few days, and spend the evenings at your local cafe reading poems accompanied by a well-tempered clavier.  For my part, I have ordered Ugo Foscolo’s Le Ultime Lettere di Jacopo Ortis (The Last Letters of Jacopo Ortis)–and  look forward to sinking in its lyrical, poignant song that so well describes the passion and contradiction of the Italian spirit (and carries me back to the Halcyon days of Literature and Poetry studies in high school).  A presto, more watercolor portraits await…

Read Full Post »

Image

 

 

Do not write love-poems. Avoid those forms which are too trite and commonplace: they are the hardest, for a great and mature power is needed to give of one’s own where good and often brilliant traditions throng upon one. Therefore betake yourself from the usual themes to those which your everyday life offers you. Paint your sadnesses and your desires, your passing thoughts and your belief in some kind of beauty

—paint all that with quiet and modest inward sincerity; and to express yourself use the things that surround you, the pictures of your dreams and the objects of your recollections. When your daily life seems barren, do not blame it; blame yourself rather and tell yourself that you are not poet enough to call forth its riches; for the creative worker knows no barrenness and no poor indifferent place. And even if you were in a prison, whose walls prevented all the bustle of the world from reaching your senses, even then would you not still have your childhood, that precious, kingly wealth, that treasure-house of memories? Turn your attention towards it. Try to recall the forgotten sensations of that distant past; your personality will strengthen itself, your loneliness will extend itself and become a dusky dwelling and the noise of others will pass by it far away. And when from this turning inwards, from this retreat into your own world verses come into being, then you will not think of asking anyone, whether they are good verses. Nor will you try to get journals interested in these works, for you will see in them your own loved and natural possession, a part and an expression of your life. A work of art is good, when it is born of necessity.

Rainer Maria Rilke – Letters to a Young Poet

Image

Image

Read Full Post »


I woke up with the sound of your voice telling me

“I know where this could potentially lead to

And I am not afraid.”




In a Manner of speaking

I just want to say

That I could never forget the way

You told me everything

By saying nothing


In a manner of speaking

I don’t understand

How love in silence becomes reprimand

But the way that i feel about you

Is beyond words


Oh give me the words

Give me the words

That tell me nothing

Ohohohoh give me the words

Give me the words

That tell me everything


In a manner of speaking

Semantics won’t do

In this life that we live we only make do

And the way that we feel

Might have to be sacrificed


So in a manner of speaking

I just want to say

That just like you

I should find a way

To tell you everything

By saying nothing.


Oh give me the words

Give me the words

That tell me nothing

Ohohohoh give me the words

Give me the words

That tell me everything


Oh give me the words

Give me the words

That tell me nothing

Ohohohoh give me the words

Give me the words

That tell me everything

Read Full Post »


 

‘Habana is very much like a rose,’ said Fico Fellove in the movie The Lost City,

‘it has petals and it has thorns…so it depends on how you grab it.

But in the end it always grabs you.’


“One of the most beautiful cities in the world. You see it with your heart.”

Enrique Nunez Del Valle, Paladar Owner

Habana’s real essence is so difficult to pin down. Plenty of writers have had a try, though; Cuban intellectual Alejo Carpentier nicknamed Habana the ‘city of columns,’ Federico Llorca declared that he had spent the best days of his life there and Graham Greene concluded that Habana was a city where ‘anything was possible.’

ARCHITECTURE

Habana is, without doubt, one of the most attractive and architecturally diverse cities in the world. Shaped by a colorful colonial history  and embellished by myriad foreign influences from as far afield as Italy and Morocco, the Cuban capital gracefully combines Mudéjar, baroque, neoclassical, art nouveau, art deco and modernist architectural styles into a visually striking whole.

But it’s not all sweeping vistas and tree-lined boulevards. Habana doesn’t have the architectural uniformity of Paris or the instant knock-out appeal of Rome. Indeed, two decades of economic austerity has meant many of the city’s finest buildings have been left to festering an advanced state of dilapidation. Furthermore, attempting to classify Habana’s houses,palaces, churches and forts as a single architectural entity is extremely difficult.

Cuban building – rather like its music – is unusually diverse. Blending Spanish colonial with French belle epoque, and Italian Renaissance with Gaudi-esque art nouveau, the over-riding picture is often one of eclecticism run wild.

Brendan Sainsbury


















This slideshow requires JavaScript.

Read Full Post »

image

Read Full Post »

Rugged Beauty

image

Read Full Post »

image

Read Full Post »

image

image

Read Full Post »

Click to see my architectural shoots over at ArchistDesign | Studio. All projects by Architectural Concepts in San Diego, CA.


Apparently this is my year. The year of the Water Dragon.
I am happy to say, I am finally completing my architecture website.

This other digital studio has been on the back burner for about a year , but it looks like 2012 is the antithesis of  procrastination.

A year that quickens…like a strong sun that vanquishes the fog.

I have added some photography work for my friend and mentor Margit Whitlock at Architectural Concepts. Photographing these well-executed design projects was a joy.

Still few portfolio items to add to the site (and three new projects on the boards!)
Will keep posting updates as they happen, and hope to finish in few weeks.


Read Full Post »

The girl with the ukulele. Oakland, Feb. 19, 2012. Ink on hand.book paper





Read Full Post »




NOT A DAY ON ANY CALENDAR

Rumi (1207-1273)



Spring, and everything outside is growing,
even the tall cypress tree.
We must not leave this place.
Around the lip of the cup we share, these words,

My Life Is Not Mine

If someone were to play music, it would have to be very sweet.
We’re drinking wine, but not through lips.
We’re sleeping it off, but not in bed.
Rub the cup across your forehead.
This day is outside living and dying.

Give up wanting what other people have.
That way you’re safe.
“Where, where can I be safe?” you ask.

This is not a day for asking questions,
not a day on any calendar.
This day is conscious of itself.
This day is a lover, bread, and gentleness,
more manifest than saying can say.

Thoughts take form with words,
but this daylight is beyond and before
thinking and imagining. Those two,
they are so thirsty, but this gives smoothness
to water. Their mouths are dry, and they are tired.

The rest of this poem is too blurry for them to read.




Translated by Cleman Barks in “The Essential Rumi”

Read Full Post »

Venezia. January 2012. Ink on hand.book paper.

Rosetum, Milano, built in Lombard style in 1896. Graphite on hand.book paper.

Read Full Post »

What a fantastic way to start the Year!

The Liebster Blog Award is an award given to bloggers by bloggers, and is reserved to ‘upstart’ blogs with less than 200 followers.
It originated in Germany and its meaning is ‘beloved’, or favorite.<3
It was bestowed to me by the Kuwaiti artist (und blogschwester!) Ghadah Alkandari at PrettyGreenBullet, whom I consider a role model as a 360 degree artist and blogger.
Needless to say it is a great honor to receive this, and more to receive it from Ghadah.

Check out her other awardees, it is blog goodness at its BESTE!

I in turn will have to bestow the award onto five upstart bloggers, so stay tuned, deliberations have just started.

Read Full Post »

Older Posts »

Follow

Get every new post delivered to your Inbox.

Join 228 other followers

%d bloggers like this: